"Götterdämmerung, WWV 86D / Prologue: O heilige Götter! Hehre Geschlechter!" by Richard Wagner, Birgit Nilsson, Wolfgang Windgassen, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. The duration of Götterdämmerung, WWV 86D / Prologue: O heilige Götter! Hehre Geschlechter! is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Götterdämmerung, WWV 86D / Prologue: O heilige Götter! Hehre Geschlechter!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Götterdämmerung, WWV 86D / Prologue: O heilige Götter! Hehre Geschlechter! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Götterdämmerung, WWV 86D / Prologue: O heilige Götter! Hehre Geschlechter! by Richard Wagner, Birgit Nilsson, Wolfgang Windgassen, Wiener Philharmoniker, Sir Georg Solti having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Turandot, Act 2 Scene 2: "In questa Reggia, or son mill'anni e mille" (Turandot, La Folla, Calaf) | Giacomo Puccini, Birgit Nilsson, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | D Minor | 0 | 7A | 83 BPM | ||
Die lustige Witwe / Act I: "So kommen Sie! 's ist niemand hier!" | Franz Lehár, Barbara Bonney, Rainer Trost, Wiener Philharmoniker, John Eliot Gardiner | G Major | 2 | 9B | 62 BPM | ||
Symphony No. 6 In C, D.589 - "The Little": 2. Andante | Franz Schubert, Wiener Philharmoniker, István Kertész | G Major | 2 | 9B | 100 BPM | ||
Rigoletto / Act 1: Della mia bella incognita borghese | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Wiener Philharmoniker, Carlo Maria Giulini | A♭ Major | 0 | 4B | 119 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied" | Gustav Mahler, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 1 | 7B | 85 BPM | ||
Salome, Op. 54 / Scene 4: "Salome, komm, trink Wein mit mir" | Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | F♯ Minor | 9 | 11A | 85 BPM | ||
Rigoletto / Act 3: Maddalena? / Aspettate | Giuseppe Verdi, Elena Obraztsova, Plácido Domingo, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | B Major | 0 | 1B | 92 BPM | ||
Jenufa / Act 1: Co to robis, mládku? | Leoš Janáček, Elisabeth Söderström, Peter Dvorsky, Marie Mrazova, Wiener Philharmoniker, Sir Charles Mackerras | A Major | 2 | 11B | 94 BPM | ||
Bizet: Carmen: La cloche a sonne - Act One | Georges Bizet, Covent Garden Chorus | E Major | 2 | 12B | 58 BPM | ||
Turandot / Act 3: Padre augusto (Turandot, Coro, Coro di ragazzi) | Giacomo Puccini, Katia Ricciarelli, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | D Major | 5 | 10B | 84 BPM |