"Ich bin ein rechter Weinstock, SWV 389" by Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze was released on October 2, 2020. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake's "Geistliche Chor-Music 1648" album is number 13 out of 15. On top of that, Germany appears to be the country where this track was created. The popularity of Ich bin ein rechter Weinstock, SWV 389 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ich bin ein rechter Weinstock, SWV 389 by Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze to be Vivace (lively and fast) because the track has a tempo of 166 テンポ, a half-time of 83テンポ, and a double-time of 332 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Opus musicum: Ecce quomodo moritur justus | Jacobus Gallus, Raphael Pichon, Ensemble Pygmalion | B♭ Major | 1 | 6B | 130 BPM | ||
Missa ex B: III. Gratias agimus - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 2 | 6B | 72 BPM | ||
Lukas-Passion, SWV 480: No. 3, Das heilige Abendmahl | Heinrich Schütz, Isabel Schicketanz, Maria Stosiek, Stefan Kunath, Georg Poplutz, Jan Kobow, Tobias Mathger, Felix Rumpf, Hille Perl, Ludger Rémy, The Sirius Viols, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 0 | 3B | 130 BPM | ||
Wir danken dir, Gott, wir danken dir, BWV 29: Chorale. Wir danken dir, Gott (Chorus) | Johann Sebastian Bach, Hana Blaziková, Robin Blaze, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | D♭ Major | 3 | 3B | 60 BPM | ||
Stabat Mater pour dix voix et basse continue: I. Stabat Mater dolorosa | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 138 BPM | ||
Lachrimae or Seven Tears: XX. Mrs Nichols's Alman | John Dowland, Phantasm, Elizabeth Kenny | F♯ Minor | 1 | 11A | 168 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
Stabat Mater: I. Stabat Mater | Domenico Scarlatti, Musica Sacra, Indra Hughes | B♭ Major | 2 | 6B | 137 BPM | ||
Stabat Mater Dolorosa à dix voix: Stabat Mater Dolorosa | Domenico Scarlatti, Ensemble William Byrd, Graham O'Reilly, Catherine Greuillet, Raphaële Kennedy, Sophie Decaudaveine, Brigitte Vinson, Pascal Bertin, Vincent Darras, Bruno Boterf, Raphaël Boulay, François Fauche, Paul Willenbrock | B Minor | 2 | 10A | 129 BPM |