György Ligeti, Reinbert de Leeuw, Asko Ensemble, Schönberg Ensemble made "Ligeti : Violin Concerto : II Aria, Hoquetus, Choral" available on September 1, 2002. Since Ligeti : Violin Concerto : II Aria, Hoquetus, Choral is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in György Ligeti, Reinbert de Leeuw, Asko Ensemble, Schönberg Ensemble's "Ligeti : Project Vol.3 - Cello Concerto, Clocks & Clouds, Violin Concerto & Síppal, Dobbal, Nádihegedüvel" album is number 5 out of 15. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Ligeti : Violin Concerto : II Aria, Hoquetus, Choral is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Ligeti : Violin Concerto : II Aria, Hoquetus, Choral by György Ligeti, Reinbert de Leeuw, Asko Ensemble, Schönberg Ensemble to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Bagatelles for Wind Quintet: II. Rubato. Lamentoso - Live | György Ligeti, Marion Ralincourt, Hélène Mourot, Christian Laborie, Michaël Rolland, Pierre Rougerie | F Major | 5 | 7B | 83 BPM | ||
Symphony, Op. 21: II. Variationen | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | D♭ Major | 0 | 3B | 135 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
Suite for Piano, Op. 25: I. Präludium | Arnold Schoenberg, Glenn Gould | B♭ Major | 2 | 6B | 105 BPM | ||
Études, Book 1: No. 1, Désordre | György Ligeti, Pierre-Laurent Aimard | D♭ Major | 5 | 3B | 114 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | E Major | 0 | 12B | 86 BPM | ||
Le Grand Macabre: Akt II - Wehe! Denn es ist gekommen der hgrosse Tag des Zorns! | György Ligeti, Vienna Radio Symphony Orchestra, ORF Chor, Elgar Howarth | C Major | 1 | 8B | 105 BPM | ||
The Lake in the Mountains | Ralph Vaughan Williams, Mark Bebbington | G Major | 1 | 9B | 95 BPM | ||
Schoenberg: 3 Piano Pieces, Op. 11: No. 1 Mässig (Viertel) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A♭ Major | 0 | 4B | 103 BPM |