"Symphony, Op. 21: II. Variationen" by Anton Webern, Twentieth Century Classics Ensemble, Robert Craft was released on January 2, 2005. The duration of Symphony, Op. 21: II. Variationen is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Symphony, Op. 21: II. Variationen's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Webern, A.: Symphony / 6 Pieces, Op. 6 / Concerto by Anton Webern, Robert Craft. The song's track number on the album is #2 out of 42 tracks. Based on our statistics, Symphony, Op. 21: II. Variationen's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony, Op. 21: II. Variationen by Anton Webern, Twentieth Century Classics Ensemble, Robert Craft has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Symphony, Op. 21: II. Variationen being at 135 テンポ, the half-time would be 68 テンポ with a double-time of 270 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sinfonietta No. 2: III. Serenade: Tempo di valse | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Major | 0 | 8B | 88 BPM | ||
Concerto for Violin & Percussion Orchestra: III. Allegro, vigoroso, poco presto | Lou Harrison, Nicholas Kitchen, New England Conservatory Percussion Ensemble, Frank Epstein, Will McVay, Sean Van Winkle, Nathan Vendel, Luis Herrera Albertazi, Harrison Honor | B Minor | 4 | 10A | 151 BPM | ||
Capriccio for Piano and Orchestra: I. Presto | Igor Stravinsky, Philippe Entremont, Robert Craft, Columbia Symphony Orchestra | G Minor | 2 | 6A | 140 BPM | ||
7 Papillons: No. 1. — | Kaija Saariaho, Anssi Karttunen | D Major | 1 | 10B | 56 BPM | ||
Symphonies of Wind Instruments (original 1920 version) | Igor Stravinsky, Twentieth Century Classics Ensemble, Robert Craft | G Minor | 1 | 6A | 170 BPM | ||
Turangalîla Symphonie: 8. Développement de l'amour | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | F♯ Major | 2 | 2B | 146 BPM | ||
Fontane di Roma (The Fountains of Rome): II. La fontana del Tritone mattino | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 96 BPM | ||
The Unanswered Question | Charles Ives, Leonard Bernstein, New York Philharmonic | A♭ Major | 2 | 4B | 105 BPM | ||
Semi-Simple Variations | Milton Babbitt, Robert Taub | B Major | 0 | 1B | 136 BPM | ||
Violin Concerto: III. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | A♭ Major | 2 | 4B | 88 BPM |