Paulus: II. Teil: Nr. 39 Cavatine T "Sei getreu bis in den Tod"

Felix Mendelssohn, James Taylor, Philippe Herreweghe
Mendelssohn: Paulus
3:44 1996日
テンポ
74
キー
D Minor
キャメロットミュージックキー
7A

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共有

Paulus: II. Teil: Nr. 39 Cavatine T "Sei getreu bis in den Tod" - Felix Mendelssohn, James Taylor, Philippe Herreweghe 情報

音響性
93%
ダンサビリティ
39%
エネルギー
23%
手段性
92%
活気
11%
ラウドネス
73%
話し言葉
4%
価数
36%
人気
ラウドネス
-16.113 dB

まとめ

Felix Mendelssohn, James Taylor, Philippe Herreweghe's 'Paulus: II. Teil: Nr. 39 Cavatine T "Sei getreu bis in den Tod"' came out on 1996. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe's "Mendelssohn: Paulus" album is number 18 out of 45. On top of that, France appears to be the country where this track was created. Paulus: II. Teil: Nr. 39 Cavatine T "Sei getreu bis in den Tod" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Paulus: II. Teil: Nr. 39 Cavatine T "Sei getreu bis in den Tod" テンポ

We consider the tempo marking of Paulus: II. Teil: Nr. 39 Cavatine T "Sei getreu bis in den Tod" by Felix Mendelssohn, James Taylor, Philippe Herreweghe to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Paulus: II. Teil: Nr. 39 Cavatine T "Sei getreu bis in den Tod" キー

D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

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ISRC
FRZ149617180
レコードレーベル
L-M Records/RCA Records