"As If There Was No Tomorrow" by David Helfgott, Orchestra, Ricky Edwards was released on January 1, 1996. With As If There Was No Tomorrow being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "Shine - Original Motion Picture Soundtrack". In this album, this song's track order is #18. As If There Was No Tomorrow is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With As If There Was No Tomorrow by David Helfgott, Orchestra, Ricky Edwards having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etching Montage | Thomas Adès | A Major | 2 | 11B | 82 BPM | ||
Journey to the Line [The Thin Red Line] | Hans Zimmer, Orchestra | A Minor | 1 | 8A | 117 BPM | ||
3 Gymnopédies: No. 1, Lent et douloureux (Version for Orchestra) | Erik Satie, Philippe Entremont, Royal Philharmonic Orchestra | A Minor | 1 | 8A | 171 BPM | ||
Romance, Op. 37 | Camille Saint-Saëns, William Bennett, English Chamber Orchestra, Steuart Bedford | D♭ Major | 1 | 3B | 83 BPM | ||
Liebesträume, S. 541: No. 1 in A-Flat Major "Hohe Liebe" | Franz Liszt, Jorge Bolet | B♭ Minor | 0 | 3A | 114 BPM | ||
Hungarian Dance No.10 in F - Orchestrated by Brahms: Presto | Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim | F Major | 3 | 7B | 152 BPM | ||
I. Cremona, Birth of the Red Violin | John Corigliano, Esa-Pekka Salonen | B Major | 0 | 1B | 84 BPM | ||
Bored to sobs [Gosford Park - Original Motion Picture Soundtrack] | Orchestra, James Shearman | B♭ Major | 1 | 6B | 84 BPM | ||
Valses nobles et sentimentales, M.61: 3. Modéré | Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa | E♭ Major | 0 | 5B | 129 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, London Symphony Orchestra, Antal Doráti | A Major | 1 | 11B | 84 BPM |