"Cello Concerto (Farewell to Philosophy): (Bar 293)" by Gavin Bryars, Julian Lloyd Webber, English Chamber Orchestra, James Judd was released on April 18, 2020. The duration of Cello Concerto (Farewell to Philosophy): (Bar 293) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Cello Concerto (Farewell to Philosophy): (Bar 293)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Work From Home with British Classics by Ralph Vaughan Williams, Gustav Holst, Edward Elgar. The song's track number on the album is #23 out of 186 tracks. Cello Concerto (Farewell to Philosophy): (Bar 293) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cello Concerto (Farewell to Philosophy): (Bar 293) by Gavin Bryars, Julian Lloyd Webber, English Chamber Orchestra, James Judd has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Cello Concerto (Farewell to Philosophy): (Bar 293) being at 64 テンポ, the half-time would be 32 テンポ with a double-time of 128 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Substance | Gavin Bryars, John Christie, John Berger, Roger Heaton, James Woodrow, Bill Hawkes | B Minor | 6 | 10A | 111 BPM | ||
Ohoi | Giacinto Scelsi, Christoph Poppen, Munich Chamber Orchestra | B♭ Major | 1 | 6B | 116 BPM | ||
Weaving | Roger Eno | B Minor | 1 | 10A | 129 BPM | ||
New York Counterpoint: II. Slow | Steve Reich, Evan Ziporyn | F♯ Minor | 1 | 11A | 90 BPM | ||
Pompeii 76 A.D. | Gail Laughton | A♭ Minor | 0 | 1A | 131 BPM | ||
Bella By Barlight | John Lurie | A♭ Major | 0 | 4B | 77 BPM | ||
Riley: Keyboard Study 2 - Brubaker Version 3 | Terry Riley, Bruce Brubaker | C Minor | 1 | 5A | 173 BPM | ||
In the Light of Air: I. Luminance | Anna Thorvaldsdottir, International Contemporary Ensemble | A♭ Major | 0 | 4B | 66 BPM | ||
Model 2 | Karlheinz Stockhausen, Electric Phoenix | E Minor | 0 | 9A | 87 BPM | ||
7 Papillons: No. 5. — | Kaija Saariaho, Anssi Karttunen | D Major | 2 | 10B | 61 BPM |