"Das Sühnopfer des neuen Bundes, Pt. 1: No. 4, Da das Judas sahe" by Carl Loewe, Georg Poplutz, Andreas Burkhart, L'Arpa Festante Baroque Orchestra, Thomas Gropper had its release date on March 8, 2019. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper's "Loewe: Das Sühnopfer des neuen Bundes" album is number 4 out of 46. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Das Sühnopfer des neuen Bundes, Pt. 1: No. 4, Da das Judas sahe is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das Sühnopfer des neuen Bundes, Pt. 1: No. 4, Da das Judas sahe by Carl Loewe, Georg Poplutz, Andreas Burkhart, L'Arpa Festante Baroque Orchestra, Thomas Gropper to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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12 Geistliche Gesänge, Op. 13: IV. Unser Herr Jesus Christus, in der Nacht, SWV 423 | Heinrich Schütz, Dorothee Mields, Marie Luise Werneburg, David Erler, Georg Poplutz, Tobias Mathger, Irene Klein, Sebastian Knebel, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | G Minor | 1 | 6A | 70 BPM | ||
Jesu, der du meine Seele, BWV 78: IV. Das Blut, so meine Schuld durchstreicht (Aria) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Georg Poplutz | C Major | 3 | 8B | 140 BPM | ||
Triumph, Triumph, ihr Frommen, freuet euch, TWV 1:1424: No. 7, Die Kraft aber der Sünde ist das Gesetz | Georg Philipp Telemann, Johanna Winkel, Margot Oitzinger, Georg Poplutz, Peter Kooij, Die Kölner Akademie, Michael Alexander Willens | A Major | 1 | 11B | 88 BPM | ||
Triumph, Triumph, ihr Frommen, freuet euch, TWV 1:1424: No. 8, O Tod, wo ist dein Stachel nun | Georg Philipp Telemann, Johanna Winkel, Margot Oitzinger, Georg Poplutz, Peter Kooij, Die Kölner Akademie, Michael Alexander Willens | B♭ Minor | 2 | 3A | 137 BPM | ||
St. Matthew Passion, BWV 244: Pt. II: Chorale. Befiehl du deine Wege | Johann Sebastian Bach, Marcus Ullmann, Klaus Mertens, Anna Korondi, Anke Vondung, Werner Güra, Hans Christoph Begemann, Neubeuern Choral Society, KlangVerwaltung Orchestra, Enoch zu Guttenberg | B Minor | 2 | 10A | 102 BPM | ||
Te Deum: VI. Tu ad liberandum | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Dixit Dominus, HWV 232: II. Virgam virtutis tuae | George Frideric Handel, Alex Potter, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Gott fahret auf: Chorus | Georg Philipp Telemann, Stefanie Wüst, Angela Froemer, Georg Poplutz, Jens Hamann, Siegen Collegium Vocale, Hannoversche Hofkapelle, Ulrich Stötzel | B Major | 1 | 1B | 115 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: VII. Arie (Tenor) Hilf, Jesu, hilf, daß ich auch dich bekenne - Live | Johann Sebastian Bach, Rudolf Lutz, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung, Jakob Pilgram | E Major | 2 | 12B | 125 BPM |