Johann Sebastian Bach, Rudolf Lutz, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung, Jakob Pilgram's 'Herz und Mund und Tat und Leben, BWV 147: VII. Arie (Tenor) Hilf, Jesu, hilf, daß ich auch dich bekenne - Live' had a release date set for October 31, 2019. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 10 in Bachkantate, BWV 147 - Herz und Mund und Tat und Leben (Live) by Cuarteto Ensamble Clásico, Ludwig van Beethoven, Maurizio Pollini, Ludwig van Beethoven, Alessio Bax, Claudio Monteverdi, Pablo Heras-Casado, Balthasar-Neumann-Chor & Solisten, Balthasar-Neumann-Ensemble, Richard Wagner, Berliner Philharmoniker, Herbert von Karajan, Franz Liszt, Vladimir Horowitz, Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Johann Sebastian Bach, Rudolf Lutz, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, Herz und Mund und Tat und Leben, BWV 147: VII. Arie (Tenor) Hilf, Jesu, hilf, daß ich auch dich bekenne - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Herz und Mund und Tat und Leben, BWV 147: VII. Arie (Tenor) Hilf, Jesu, hilf, daß ich auch dich bekenne - Live by Johann Sebastian Bach, Rudolf Lutz, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung, Jakob Pilgram is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bach, JS: Concerto for Four Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, Alexandre Tharaud, Les Violons du Roy, Bernard Labadie | A Minor | 2 | 8A | 113 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: III. Courante | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 118 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Violin Concerto No. 3 in F Major, RV 293 "L'autunno": I. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | F Major | 2 | 7B | 122 BPM | ||
Music: Prelude In E Flat Minor - The Well-tempered Clavier, Book I | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | A♭ Minor | 0 | 1A | 139 BPM | ||
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Sonata in A Minor, BWV 965 (after Sonata No. 1 for strings and continuo from Hortus Musicus by Reincken): V. Courante | Johann Sebastian Bach, Francesco Tropea | A Minor | 0 | 8A | 141 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM |