Heitor Villa-Lobos, Rosana Lamosa, Nashville Symphony Orchestra Cellos, Kenneth Schermerhorn's 'Bachianas brasileiras No. 5: II. Danza: Martelo' came out on November 15, 2005. With this song being about 5 minutes long, at 4:35, "Bachianas brasileiras No. 5: II. Danza: Martelo" by Heitor Villa-Lobos, Rosana Lamosa, Nashville Symphony Orchestra Cellos, Kenneth Schermerhorn is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Villa-Lobos: Bachianas Brasileiras (Complete) by Heitor Villa-Lobos, Andrew Mogrelia, Kenneth Schermerhorn. The song's track number on the album is #6 out of 29 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Bachianas brasileiras No. 5: II. Danza: Martelo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas brasileiras No. 5: II. Danza: Martelo by Heitor Villa-Lobos, Rosana Lamosa, Nashville Symphony Orchestra Cellos, Kenneth Schermerhorn has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bachianas brasileiras No. 5: II. Danza: Martelo being at 90 テンポ, the half-time would be 45 テンポ with a double-time of 180 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Villa-Lobos: Bachianas Brasileiras No. 5 for Soprano and 8 Cellos, W. 389: I. Aria in A Minor (Cantilena. Adagio) | Heitor Villa-Lobos, Enrique Bátiz, Royal Philharmonic Orchestra | F Major | 1 | 7B | 104 BPM | ||
Guia Prático, Album 9, W359: No. 35. O ciranda, o cirandinha | Heitor Villa-Lobos, Andrea Bissoli, Federica Artuso, Stefano Brait, Enrico Filippo Maligno | B♭ Major | 1 | 6B | 95 BPM | ||
Te Deum, WAB 45: 1. Te Deum laudamus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Minor | 2 | 5A | 126 BPM | ||
Gloria, FP 144: 3. Domine Deus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 130 BPM | ||
Strauss, R: 5 Lieder, Op. 48: IV. Winterweihe | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | B♭ Major | 1 | 6B | 72 BPM | ||
Gloria: 1. Gloria | Francis Poulenc, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | B♭ Major | 2 | 6B | 130 BPM | ||
Myrthen, Op. 25: No. 7. Die Lotosblume | Robert Schumann, Margaret Price, James Lockhart | D Major | 1 | 10B | 93 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): I. Pastorale | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 0 | 11B | 117 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM |