"Die verkaufte Braut: Furiant" by Bedřich Smetana, Czech Philharmonic Orchestra, Václav Neumann was released on July 1, 2016. The duration of Die verkaufte Braut: Furiant is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Die verkaufte Braut: Furiant's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Václav Neumann's "Galakonzert aus Prag: Tschechische Tänze aus Oper und Operette" album is number 2 out of 16. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Die verkaufte Braut: Furiant is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die verkaufte Braut: Furiant by Bedřich Smetana, Czech Philharmonic Orchestra, Václav Neumann to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Meditace na staročeský 'Svatý Václave', Op. 35a | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Minor | 1 | 8A | 95 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
The Bartered Bride, JB 1:100, Act I, Scene 3: As I´m Saying, My Dear Fellow ... (Krušina, sedlák, Ludmila, manželka Krušiny, Kecal, vesnický dohazovač) | Bedřich Smetana, Jindřich Jindrák, Marie Vesela, Richard Novak, Czech Philharmonic Orchestra, Zdeněk Košler | G Major | 2 | 9B | 146 BPM | ||
Liebestraum, S. 541, No. 3 | Franz Liszt, Evgeny Kissin | E♭ Major | 0 | 5B | 75 BPM |