Robert Schumann, Vladimir Horowitz's 'Kinderszenen, Op. 15: No. 7, Träumerei' came out on 1962. The duration of Kinderszenen, Op. 15: No. 7, Träumerei is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Kinderszenen, Op. 15: No. 7, Träumerei's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Schumann: Kinderszenen; Arabesque; Fantasie; Träumerei". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Kinderszenen, Op. 15: No. 7, Träumerei is currently average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Kinderszenen, Op. 15: No. 7, Träumerei by Robert Schumann, Vladimir Horowitz having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | D Major | 1 | 10B | 72 BPM | ||
Etude in C-Sharp Minor, Op. 2, No. 1: Andante - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 0 | 12A | 60 BPM | ||
CPE Bach: Solfegietto in C Minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Georges Pludermacher | F Minor | 1 | 4A | 143 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Nocturnes n°7 en mi majeur | Francis Poulenc, Alexandre Tharaud | E♭ Major | 1 | 5B | 87 BPM | ||
Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Daniel Barenboim | F Major | 0 | 7B | 71 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM |