Joseph Boulogne Chevalier de Saint-Georges, Orchestre de chambre Bernard Thomas, Jean-Jacques Kantorow made "Concerto pour violon No. 9 en sol majeur, Op. 8: Allegro" available on 1974. Since Concerto pour violon No. 9 en sol majeur, Op. 8: Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Boulogne Chevalier de Saint-Georges, Orchestre de chambre Bernard Thomas, Jean-Jacques Kantorow's "Le chevalier de Saint-Georges : Concertos pour violon" album is number 1 out of 12. Concerto pour violon No. 9 en sol majeur, Op. 8: Allegro is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto pour violon No. 9 en sol majeur, Op. 8: Allegro by Joseph Boulogne Chevalier de Saint-Georges, Orchestre de chambre Bernard Thomas, Jean-Jacques Kantorow to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in B-Flat Major, Op. 6 No. 7, HWV 325: I. Largo | George Frideric Handel, Alexander Titov, St. Petersburg Classic Music Studio Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
Quintet No.4 for Guitar and Strings in D G.448 - "Fandango": 3. Grave assai - 4. Fandango | Luigi Boccherini, Narciso Yepes, Melos Quartet, Lucero Tena | D Major | 2 | 10B | 115 BPM | ||
Violin Concerto, Op. 14: II. Andante - Instrumental | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 102 BPM | ||
Violin Concerto in G Major, Op. 8, No. 2: I. Allegro | Joseph Boulogne Chevalier de Saint-Georges, Randall Goosby, Kris Bowers, London Contemporary Orchestra | G Major | 1 | 9B | 78 BPM | ||
Symphonie Concertante in C Major, Op. 9 No. 1: II. Rondeau | Joseph Bologne, Chevalier de Saint-Georges, Yury Revich, Libor Ježek, Czech Philharmonic Chamber Orchestra, Michael Halasz | F Major | 3 | 7B | 128 BPM | ||
Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 1, Nimble Feet | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | E Major | 1 | 12B | 88 BPM | ||
Clarinet Quintet in B-Flat Major, Op. 34, J. 182: III. Menuetto. Capriccio presto (Arr. J.-J. Kantorow for clarinet and strings) | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | E♭ Major | 0 | 5B | 131 BPM | ||
Solomon, HWV 67, Act III: Sinfonia, "Arrival of the Queen of Sheba" | George Frideric Handel, Budapest Strings | B♭ Major | 2 | 6B | 107 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
Clarinet Quintet in B-Flat Major, Op. 34, J. 182: I. Allegro (Arr. J.-J. Kantorow for clarinet and strings) | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | B♭ Major | 1 | 6B | 136 BPM |