Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow's 'Clarinet Quintet in B-Flat Major, Op. 34, J. 182: I. Allegro (Arr. J.-J. Kantorow for clarinet and strings)' came out on November 1, 2006. Since Clarinet Quintet in B-Flat Major, Op. 34, J. 182: I. Allegro (Arr. J.-J. Kantorow for clarinet and strings) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weber: Clarinet Concertos by Carl Maria von Weber, Martin Fröst, Jean-Jacques Kantorow, Tapiola Sinfonietta. The song's track number on the album is #4 out of 11 tracks. Based on our data, Sweden was the country where this track was produced or recorded. Based on our statistics, Clarinet Quintet in B-Flat Major, Op. 34, J. 182: I. Allegro (Arr. J.-J. Kantorow for clarinet and strings)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Clarinet Quintet in B-Flat Major, Op. 34, J. 182: I. Allegro (Arr. J.-J. Kantorow for clarinet and strings) by Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Clarinet Quintet in B-Flat Major, Op. 34, J. 182: I. Allegro (Arr. J.-J. Kantorow for clarinet and strings) being at 136 テンポ, the half-time would be 68 テンポ with a double-time of 272 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
24 Preludes, Op. 28: Prelude No. 9 in E Major, Op. 28, No. 9 | Frédéric Chopin, Idil Biret | E Major | 0 | 12B | 78 BPM | ||
6 Melodies, Op. 4: No. 2. Melodie in C-Sharp Minor | Fanny Mendelssohn, Betty Ann Miller | D♭ Minor | 0 | 12A | 67 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
12 Études d'exécution transcendante, S. 139: No. 4 Mazeppa (Presto) | Franz Liszt, Daniil Trifonov | A Major | 3 | 11B | 106 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Piano Sonata No. 1 in C Major, Op. 24, J. 138: IV. Rondo: Presto | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 172 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM |