Giovanni Battista Pergolesi, Magda Kalmár, Julia Hamari, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Lamberto Gardelli's 'Stabat mater: Duet: Inflammatus (Soprano, Contralto)' came out on July 15, 2014. The duration of Stabat mater: Duet: Inflammatus (Soprano, Contralto) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Stabat mater: Duet: Inflammatus (Soprano, Contralto)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Pergolesi: Stabat Mater". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hungary. In terms of popularity, Stabat mater: Duet: Inflammatus (Soprano, Contralto) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Stabat mater: Duet: Inflammatus (Soprano, Contralto) by Giovanni Battista Pergolesi, Magda Kalmár, Julia Hamari, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Lamberto Gardelli having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | B Minor | 1 | 10A | 80 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Artaserse: Se al labbro mio non credi - Instrumental Version | Christophe Rousset, Les Talens Lyriques | E Minor | 0 | 9A | 133 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | D Major | 1 | 10B | 95 BPM | ||
Rinaldo, HWV 7b: Act I: Overture | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Major | 7 | 10B | 126 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 3 | 8B | 118 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Stabat Mater, P. 77: I. Stabat Mater dolorosa (Grave) | Giovanni Battista Pergolesi, Núria Rial, Carlos Mena, Ricercar Consort, Philippe Pierlot | E Minor | 1 | 9A | 85 BPM |