Carl Millöcker, Ingeborg Hallstein, Sandor Konya, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek's ' "Der Bettelstudent - operetta in 3 Acts: Ach, er hat sie ja nur auf die Schulter geküßt" was released on its scheduled release date, January 1, 1993. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 33 in Der Bettelstudent - Gasparone - Die Dubarry by Carl Millöcker, Franz Fehringer, Ingeborg Hallstein, Herta Talmar, Willi Hofmann, Sandor Konya, Willy Schneider, Rita Bartos, Günter Kallmann Chor, Chor, Grosses Operetten Orchester, Franz Marszalek. Der Bettelstudent - operetta in 3 Acts: Ach, er hat sie ja nur auf die Schulter geküßt is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Der Bettelstudent - operetta in 3 Acts: Ach, er hat sie ja nur auf die Schulter geküßt by Carl Millöcker, Ingeborg Hallstein, Sandor Konya, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Zigeunerbaron, Act I: Als flotter Geist - Ja, das alles auf Ehr | Nicolai Gedda, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Franz Allers | C Major | 4 | 8B | 84 BPM | ||
La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
Maske in Blau: Frühling in San Remo | Fred Raymond, Antonia Fahberg, Herbert Ernst Groh, Chor, Franz Marszalek, Grosses Operetten Orchester | D♭ Major | 2 | 3B | 88 BPM | ||
H.M.S. Pinafore: Entracte | Arthur Sullivan, The New Symphony Orchestra Of London, Isidore Godfrey | G Major | 1 | 9B | 88 BPM | ||
The Gypsy Princess (Die Csárdásfürstin): "Ganz ohne Weiber geht die Chose nicht" | Emmerich Kálmán, Willy Hofmann, Renate Holm, Grosses Operetten Orchester, Franz Marszalek | C Major | 5 | 8B | 115 BPM | ||
L'elisir d'amore / Act 1: "Come Paride vezzoso" | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | F Major | 2 | 7B | 73 BPM | ||
Auf der Heide blüh'n die letzten Rosen | Willy Schneider | D♭ Major | 3 | 3B | 103 BPM | ||
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera | Carl Orff, Agnes Giebel/Paul Kuen/Marcel Cordes/Chor des Westdeutschen Rundfunks/Children's Choir/Kölner Rundfunk-Sinfonie-Orchester/Wolfgang Sawallisch, Chor des Westdeutschen Rundfunks, Wolfgang Sawallisch, Kölner Rundfunk-Sinfonie-Orchester | D Minor | 3 | 7A | 127 BPM | ||
Maske in Blau: Am Rio Negro | Fred Raymond, Herbert Ernst Groh, Antonia Fahberg, Willy Hofmann, Chor, Grosses Operetten Orchester, Franz Marszalek | E Major | 3 | 12B | 118 BPM | ||
Der fliegende Holländer, WWV 63 / Act 1: "Mit Gewitter und Sturm aus fernem Meer" | Richard Wagner, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM |