"Lully, Lulla, Lullay" by Philip Stopford, La Chapelle de Québec Choir, Bernard Labadie was released on November 5, 2021. With this song being about 5 minutes long, at 4:50, "Lully, Lulla, Lullay" by Philip Stopford, La Chapelle de Québec Choir, Bernard Labadie is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in La Chapelle de Québec Choir, Bernard Labadie, Valérie Milot, Richard Paré's "Le chemin de Noël" album is number 36 out of 40. On top of that, Canada appears to be the country where this track was created. Lully, Lulla, Lullay is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lully, Lulla, Lullay by Philip Stopford, La Chapelle de Québec Choir, Bernard Labadie to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Virtus Sapientiae | Hildegard von Bingen, Kirsteen Rogers, Christopher Monks | C Major | 0 | 8B | 76 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 7: No. 1. Banat (Regret) | Béla Bartók, Schola Hungarica, László Dobszay | C Minor | 0 | 5A | 80 BPM | ||
Canticle of Love | Sister Maria Therese Sokol, OCD, Saint Luke Productions | D Major | 1 | 10B | 105 BPM | ||
La Kanteletar: I. Herkä neito | Veljo Tormis, Mikrokosmos, Loïc Pierre | F♯ Major | 0 | 2B | 69 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): III. Domine Deus | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
Angel vopiyashe, Op. 22 No. 18 | Pavel Chesnokov, Jessica Kinney, Cambridge University Chamber Choir, Graham Walker, St. John's Voices | D Major | 1 | 10B | 83 BPM | ||
Veni, Lumen Cordium | Margaret Rizza | F Minor | 1 | 4A | 75 BPM | ||
Messe solennelle, Op. 16: I. Kyrie | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | F Minor | 3 | 4A | 91 BPM | ||
Irish Blessing (Arr. for Voice & Piano) | Philip Stopford, Lynda Barrett | A♭ Major | 0 | 4B | 73 BPM | ||
Even When He Is Silent | The Master Chorale of Tampa Bay, James K. Bass | C Major | 1 | 8B | 64 BPM |