"Concert in D Major for Piano, Violin and String Quartet, Op. 21: II. Sicilienne" by Ernest Chausson, Jennifer Pike, Tom Poster, Doric String Quartet was released on February 1, 2013. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 7 in Chausson: Concert & String Quartet by Ernest Chausson, Doric String Quartet, Jennifer Pike, Tom Poster. Concert in D Major for Piano, Violin and String Quartet, Op. 21: II. Sicilienne is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concert in D Major for Piano, Violin and String Quartet, Op. 21: II. Sicilienne by Ernest Chausson, Jennifer Pike, Tom Poster, Doric String Quartet is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasie in C Major, Op. 17: III. Langsam getragen. Durchaus leise zu halten | Robert Schumann, Dénes Várjon | B♭ Major | 1 | 6B | 146 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Gloria: 1. Gloria | Francis Poulenc, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | B♭ Major | 2 | 6B | 130 BPM | ||
La bonne chanson, Op. 61: III. La lune blanche luit dans les bois | Gabriel Fauré, Véronique Gens, I Giardini | G Major | 1 | 9B | 92 BPM | ||
Hébée Op. 2 N°6 | Ernest Chausson, Susan Manoff, Sandrine Piau | A Minor | 0 | 8A | 86 BPM | ||
Symphony No. 1 in E major: I. Alla breve | Hans Rott, Paavo Järvi | E Major | 1 | 12B | 85 BPM | ||
Bach - Fantasy and Fugue in C Minor, Op. 86 (after J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Deux poèmes, Op. 34: I. La chanson bien douce | Ernest Chausson, Véronique Gens, Susan Manoff | F Minor | 1 | 4A | 81 BPM |