"Symphony No. 2 in E Minor, Op. 27: III. Adagio (Transcr. Trifonov for 2 Pianos)" by Sergei Rachmaninoff, Daniil Trifonov, Sergei Babayan was released on March 29, 2024. Symphony No. 2 in E Minor, Op. 27: III. Adagio (Transcr. Trifonov for 2 Pianos) appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Rachmaninoff for Two". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Symphony No. 2 in E Minor, Op. 27: III. Adagio (Transcr. Trifonov for 2 Pianos) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 2 in E Minor, Op. 27: III. Adagio (Transcr. Trifonov for 2 Pianos) by Sergei Rachmaninoff, Daniil Trifonov, Sergei Babayan having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Sarabande for Guitar, FP 179 | Francis Poulenc, Nash Ensemble | E Minor | 0 | 9A | 87 BPM | ||
Piano Sonata No. 18 in E-Flat Major, Op. 31 No. 3 "The Hunt": IV. Presto con fuoco | Ludwig van Beethoven, Yuja Wang | D♭ Minor | 0 | 12A | 131 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Valse Mignonne, Op. 104 in E-Flat Major - Welte-Mignon 803 | Camille Saint-Saëns, Peter Phillips | E♭ Major | 1 | 5B | 71 BPM | ||
V. Improvisation | Gabriel Fauré, Lucas Debargue | C Major | 2 | 8B | 83 BPM | ||
Poulenc: Flute Sonata, FP 164: II. Cantilena | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 0 | 3A | 64 BPM | ||
Preludes, Op. 23: No. 5 in G Minor - Triphonola 51661 | Sergei Rachmaninoff, Peter Phillips, Ossip Gabrilowitsch | F Major | 1 | 7B | 108 BPM | ||
Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM |