"Bachianas Brasileiras No. 5 (for soprano and 8 cellos) (1998 Digital Remaster): I. Aria (Cantilena) (1938) Adagio" by Heitor Villa-Lobos, Victoria de los Ángeles, Orchestra National de la Radiodiffusion Francaise, French National Radio Orchestra was released on 1987. Bachianas Brasileiras No. 5 (for soprano and 8 cellos) (1998 Digital Remaster): I. Aria (Cantilena) (1938) Adagio is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. This song is part of Villa-Lobos: Bachianas Brasileiras by Heitor Villa-Lobos, Victoria de los Ángeles. The song's track number on the album is #1 out of 11 tracks. Bachianas Brasileiras No. 5 (for soprano and 8 cellos) (1998 Digital Remaster): I. Aria (Cantilena) (1938) Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas Brasileiras No. 5 (for soprano and 8 cellos) (1998 Digital Remaster): I. Aria (Cantilena) (1938) Adagio by Heitor Villa-Lobos, Victoria de los Ángeles, Orchestra National de la Radiodiffusion Francaise, French National Radio Orchestra has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bachianas Brasileiras No. 5 (for soprano and 8 cellos) (1998 Digital Remaster): I. Aria (Cantilena) (1938) Adagio being at 89 テンポ, the half-time would be 44 テンポ with a double-time of 178 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alma Brasileira | Heitor Villa-Lobos, Yo-Yo Ma | E Minor | 1 | 9A | 80 BPM | ||
Nabucco / Act 3: "Va, pensiero, sull'ali dorate" | Giuseppe Verdi, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso | D♭ Major | 1 | 3B | 77 BPM | ||
Petite Messe solennelle - Kyrie: Kyrie (I) | Gioachino Rossini, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 4 | 5B | 124 BPM | ||
Dichterliebe, Op.48: 10. Hör' ich das Liedchen klingen | Robert Schumann, Fritz Wunderlich, Hubert Giesen | G Minor | 0 | 6A | 76 BPM | ||
Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM | ||
Nacht und Träume, D. 827 | Franz Schubert, Renée Fleming, Christoph Eschenbach | F♯ Major | 0 | 2B | 59 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
Floresta do Amazonas: Melodia Sentimental (Sentimental Melody) | Heitor Villa-Lobos, Anna Korondi, Orquestra Sinfônica Do Estado De São Paulo, John Neschling | C Major | 5 | 8B | 71 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Traditional / Arr. Tarragó: Campanas de Belén | Traditional, Victoria de los Ángeles, Renata Tarragó | A Minor | 0 | 8A | 70 BPM |