"Missa Pro Defunctis: VI. Libera me" by Thomas Oboe Lee, Sarah Yanovitch, Caroline Olsen, Ethan DePuy, Craig Juricka, Michael O'Brien, Aleksis Martin, Minami Yoshida, Alison Kim, Steven Tse, Claire Deokyong Kim, Diego Martinez, Sarah Yeoh-Wang was released on March 27, 2019. With this song being about 5 minutes long, at 4:47, "Missa Pro Defunctis: VI. Libera me" by Thomas Oboe Lee, Sarah Yanovitch, Caroline Olsen, Ethan DePuy, Craig Juricka, Michael O'Brien, Aleksis Martin, Minami Yoshida, Alison Kim, Steven Tse, Claire Deokyong Kim, Diego Martinez, Sarah Yeoh-Wang is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Thomas Oboe Lee: Missa Pro Defunctis". In this album, this song's track order is #6. In terms of popularity, Missa Pro Defunctis: VI. Libera me is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa Pro Defunctis: VI. Libera me by Thomas Oboe Lee, Sarah Yanovitch, Caroline Olsen, Ethan DePuy, Craig Juricka, Michael O'Brien, Aleksis Martin, Minami Yoshida, Alison Kim, Steven Tse, Claire Deokyong Kim, Diego Martinez, Sarah Yeoh-Wang having a テンポ of 108 with a half-time of 54 テンポ and a double-time of 216 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haugtussa, Op. 67: V. Elsk | Charlotte Hoather, George Todica | C Major | 2 | 8B | 104 BPM | ||
Voi che sapete | Natalie Choquette | B♭ Major | 1 | 6B | 110 BPM | ||
Carmina Burana: In trutina | Carl Orff, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Five Elizabethan Songs: I. Orpheus | Ivor Gurney, Jodie Devos, Nicolas Krüger | D♭ Minor | 1 | 12A | 92 BPM | ||
A World in Mourning | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Persephone and the Four Seasons: Autumn (The Abduction of Persephone) | Thomas Oboe Lee, Jennifer Slowik, Boston Modern Orchestra, Gil Rose | D Minor | 3 | 7A | 82 BPM | ||
La niña abandonada: La niña abandonada | Emilio Arrieta, Sabina Puértolas, Rubén Fernández Aguirre | E Major | 3 | 12B | 82 BPM | ||
Prelúdios, Comidas Típicas Brasileiras: IV. Beijinhos De Coco | Thomas Oboe Lee, Wei Chen Lin | D Major | 0 | 10B | 137 BPM | ||
Sechs deutsche Lieder, Opus 72: Nr. 2 Schifferlied der Wasserfee (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | E♭ Major | 2 | 5B | 183 BPM | ||
Haugtussa, Op. 67: VII. Vond dag | Charlotte Hoather, George Todica | B♭ Minor | 1 | 3A | 58 BPM |