Johann Strauss I, Wiener Philharmoniker, Franz Welser-Möst made "Furioso-Galopp nach Liszt's Motiven, Op.114" available on January 1, 2011. The duration of Furioso-Galopp nach Liszt's Motiven, Op.114 is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Furioso-Galopp nach Liszt's Motiven, Op.114's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "New Year's Day Concert 2011 (Neujahrskonzert 2011)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Furioso-Galopp nach Liszt's Motiven, Op.114 is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Furioso-Galopp nach Liszt's Motiven, Op.114 by Johann Strauss I, Wiener Philharmoniker, Franz Welser-Möst having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale (Excerpt: Ode to Joy) | Ludwig van Beethoven, Riccardo Muti, Philadelphia Orchestra | D Major | 5 | 10B | 78 BPM | ||
Quadrille ohne Titel, Op. 248 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | B♭ Major | 2 | 6B | 87 BPM | ||
Josephstadter-tanze, Op. 23 | Slovak Sinfonietta, Zilina, Johann Strauss I | F Major | 0 | 7B | 151 BPM | ||
Carmen L'amour est un oiseau rebelle - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | D Major | 1 | 10B | 98 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147 / Pt. 2: 10. "Jesus bleibet meine Freude" | Johann Sebastian Bach, Münchener Bach-Chor, Solistengemeinschaft Der Bachwoche Ansbach, Karl Richter | G Major | 2 | 9B | 106 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 99 BPM | ||
Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | ||
Wer tanzt mit? Polka schnell, Op. 251 | Eduard Strauss, Franz Welser-Möst, Wiener Philharmoniker | D Major | 4 | 10B | 83 BPM | ||
Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM |