"Mariachitlán" by Juan Pablo Contreras, Orquesta Latino Mexicana was released on May 3, 2024. Mariachitlán appears to be safe for all ages as it is not explicit. Because this song is the only song in Mariachitlán and no other songs are present in the album, we classify this track as a single. On top of that, Mexico appears to be the country where this track was created. Mariachitlán is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mariachitlán by Juan Pablo Contreras, Orquesta Latino Mexicana to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, WWV 75: Prelude to Act III | Richard Wagner, Pittsburgh Symphony Orchestra, William Steinberg | G Major | 2 | 9B | 85 BPM | ||
Canon (Ferdinand Braunroth) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Fourth Movement Moderato Maestoso | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 1 | 10B | 77 BPM | ||
Chi non sempre perde Allegro Appassionato | Alessandro Rustici | D Minor | 1 | 7A | 79 BPM | ||
Carmen Suite No. 1: Entr'acte (Act III) | Georges Bizet, Willem van Otterloo, Residentie Orkest | E♭ Major | 4 | 5B | 98 BPM | ||
String Theory: Vars. 14-17 - Finale | Bruce Broughton, London Symphony Orchestra, Jonathan Bloxham | D Major | 4 | 10B | 87 BPM | ||
Concerto Grosso: I. Allegro-Sonata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | F Minor | 1 | 4A | 113 BPM | ||
Finding Balance | Scot Stafford | E♭ Major | 1 | 5B | 116 BPM | ||
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, John Rutter, Manchester Camerata, David Tollington | G Major | 0 | 9B | 71 BPM |