Bruce Broughton, London Symphony Orchestra, Jonathan Bloxham's 'String Theory: Vars. 14-17 - Finale' came out on June 14, 2024. Since String Theory: Vars. 14-17 - Finale is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 9 in Broughton: And on the Sixth Day, String Theory & Horn Concerto by Bruce Broughton, Olivier Stankiewicz, London Symphony Orchestra, Jonathan Bloxham. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. String Theory: Vars. 14-17 - Finale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Theory: Vars. 14-17 - Finale by Bruce Broughton, London Symphony Orchestra, Jonathan Bloxham is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | C Major | 0 | 8B | 66 BPM | ||
二つの悲しき旋律: 第2曲: 過ぎし春 | Edvard Grieg, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
Thais: Méditation - Arr. for Flute and Orchestra | Jules Massenet, Katherine Bryan, Royal Scottish National Orchestra, Jac van Steen | D Major | 0 | 10B | 62 BPM | ||
El Otro Gran Conflicto | Bulruk | A Minor | 5 | 8A | 100 BPM | ||
Palladio: 1. Allegretto (arr. for Strings Orchestra) | Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra | D Minor | 3 | 7A | 90 BPM | ||
Daphnis et Chloé, Suite No. 2, M. 57b: I. Lever du jour | Maurice Ravel, Sir Simon Rattle, London Symphony Orchestra | E Minor | 1 | 9A | 78 BPM | ||
Pronunciandose En Silencio | Sirenas Celestiales | A Minor | 5 | 8A | 130 BPM | ||
Indiana Jones and the Raiders of the Lost Ark: Marion's Theme | Danish National Symphony Orchestra, Christian Schumann | C Minor | 2 | 5A | 89 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo: Andantino grazioso | Robert Schumann, London Symphony Orchestra, Maria João Pires, John Eliot Gardiner | A Major | 0 | 11B | 77 BPM |