Franz Joseph Haydn, Emerson String Quartet made "The Seven Last Words Of Our Saviour On The Cross, Op. 51, Hob. III:50-56 - Including Intermezzo: 1. Introduzione (Maestoso ed Adagio)" available on January 1, 2004. With this song being about 5 minutes long, at 5:09, "The Seven Last Words Of Our Saviour On The Cross, Op. 51, Hob. III:50-56 - Including Intermezzo: 1. Introduzione (Maestoso ed Adagio)" by Franz Joseph Haydn, Emerson String Quartet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Joseph Haydn, Emerson String Quartet's "Haydn: The Seven Last Words, Op.51" album is number 1 out of 10. On top of that, Germany appears to be the country where this track was created. In terms of popularity, The Seven Last Words Of Our Saviour On The Cross, Op. 51, Hob. III:50-56 - Including Intermezzo: 1. Introduzione (Maestoso ed Adagio) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of The Seven Last Words Of Our Saviour On The Cross, Op. 51, Hob. III:50-56 - Including Intermezzo: 1. Introduzione (Maestoso ed Adagio) by Franz Joseph Haydn, Emerson String Quartet to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio No. 2 in C Major, Op. 87: Allegro | Johannes Brahms, Yo-Yo Ma, Emanuel Ax, Leonidas Kavakos | C Major | 1 | 8B | 129 BPM | ||
Suite for 2 Violins & Piano, Op. 71: III. Lento assai | Moritz Moszkowski, Nazrin Rashidova, Daniel Grimwood | E Minor | 1 | 9A | 103 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM | ||
String Quartet No.3 In F Major, Op.73: 4. Adagio - Live | Dmitri Shostakovich, Emerson String Quartet | A♭ Major | 0 | 4B | 90 BPM | ||
Boccherini: Cello Concerto No. 7 in G Major, G. 480: II. Adagio | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | D♭ Major | 1 | 3B | 121 BPM | ||
Haydn: String Quartet in G Minor, Op. 74 No. 3, Hob. III:74 "The Rider": II. Largo assai | Franz Joseph Haydn, Alban Berg Quartett | E Major | 1 | 12B | 81 BPM | ||
Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Major | 0 | 12B | 78 BPM | ||
Piano Quintet in F minor, Op. 34: III. Scherzo (Allegro) | Johannes Brahms, Maurizio Pollini, Quartetto Italiano | C Major | 2 | 8B | 124 BPM | ||
Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marciale | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | D Major | 3 | 10B | 76 BPM | ||
Tchaikovsky: Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VII & Coda (Allegro vivo) | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM |