"Lauda Jerusalem (arr. M. Banner for choir)" by Nicola Porpora, Martin Banner, Texas All-State Women's Choir, Robin Brockway-Nichols, Sharon Hansen was released on July 30, 2013. With this song being about 5 minutes long, at 5:00, "Lauda Jerusalem (arr. M. Banner for choir)" by Nicola Porpora, Martin Banner, Texas All-State Women's Choir, Robin Brockway-Nichols, Sharon Hansen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 2013 Texas Music Educators Association (TMEA): All-State Women's Choir & All-State Men's Choir, so we believe that "Lauda Jerusalem (arr. M. Banner for choir)" is a single. Based on our statistics, Lauda Jerusalem (arr. M. Banner for choir)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lauda Jerusalem (arr. M. Banner for choir) by Nicola Porpora, Martin Banner, Texas All-State Women's Choir, Robin Brockway-Nichols, Sharon Hansen is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 75 BPM | ||
Rameau: Les Boréades: Ouverture | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | E Major | 1 | 12B | 99 BPM | ||
L'incoronazione di Poppea / Act 3: Pur ti miro | Claudio Monteverdi, Danielle de Niese, Andreas Scholl, The English Concert, Harry Bicket | A Major | 1 | 11B | 100 BPM | ||
Bononcini: La costanza non gradita nel doppio amore d'Aminta: "Infelice mia costanza" (Aminta) | Giovanni Bononcini, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F Minor | 2 | 4A | 69 BPM | ||
Germanicus: Rimembranza crudel | Georg Philipp Telemann, Jeanine De Bique, Concerto Köln, Luca Quintavalle | D Major | 1 | 10B | 93 BPM | ||
Overture No. 6 in D major: 3. Allegro assai | Johann Christian Bach, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 3 | 3B | 137 BPM | ||
Polifemo: Recitativo accompagnato - Aci | Nicola Porpora, Yuriy Mynenko, George Petrou, Armonia Atenea | E♭ Major | 2 | 5B | 96 BPM | ||
Beatus vir: I. Beatus vir | Domenico Zipoli, Florilegium, Bolivian Soloists | E Major | 2 | 12B | 117 BPM | ||
Zelenka: Barbara, dira effera, ZWV 164: I. Barbara, dira, effera | Jan Dismas Zelenka, Jakub Józef Orliński, Francesco Corti, Il Pomo D'oro | E Major | 5 | 12B | 121 BPM |