"V'higad'ta L'vincha: V. B'chol dor vador (In every generation)" by Gerald Cohen, Kathryn Palange, David Abrams, Alice Lee, Gregory Wood, Barbara Tagg was released on January 1, 2007. The duration of V'higad'ta L'vincha: V. B'chol dor vador (In every generation) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. V'higad'ta L'vincha: V. B'chol dor vador (In every generation)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gerald Cohen, Various Artists's "Gerald Cohen: Generations" album is number 15 out of 16. In terms of popularity, V'higad'ta L'vincha: V. B'chol dor vador (In every generation) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of V'higad'ta L'vincha: V. B'chol dor vador (In every generation) by Gerald Cohen, Kathryn Palange, David Abrams, Alice Lee, Gregory Wood, Barbara Tagg to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs of Love: III. I Sing Because | Will Todd, Christopher Finch, Wellensian Consort, Will Todd Ensemble | E Minor | 3 | 9A | 144 BPM | ||
Haugtussa, Op. 67: VII. Vond dag | Charlotte Hoather, George Todica | B♭ Minor | 1 | 3A | 58 BPM | ||
Yedid Nefesh: With Quiet Motion, Flowing | Gerald Cohen, Vasko Dukovski, Maria Lambros, Alexandra Joan | F Major | 0 | 7B | 174 BPM | ||
Pie Jesu | Matthew Coleridge, RSVP Voices, Guy Johnston, Emma Brain-Gabbott, Rob Johnston, Stephen Farr | D Minor | 0 | 7A | 81 BPM | ||
Missa Praeter rerum seriem: III. Credo | George de La Hèle, El León de Oro, Peter Phillips | G Major | 2 | 9B | 142 BPM | ||
Playing for Our Lives: III. Dies irae | Gerald Cohen, Cassatt String Quartet | F♯ Major | 0 | 2B | 79 BPM | ||
Misa a Buenos Aires "Misatango": Credo | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | C Minor | 1 | 5A | 78 BPM | ||
Te deum, LWV 55: XIV. Miserere nostri Domine, miserere nostri | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Missa Pontificalis: Kyrie | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | D Minor | 0 | 7A | 70 BPM | ||
Beau soir, L. 6 | Dilyana Georgieva, Galina Apostolova | F♯ Minor | 2 | 11A | 142 BPM |