"Massenet: Don Quichotte, Act 1: Introduction - "Alza ! Alza ! Alza !" (Pedro, Garcias, Rodriguez, Juan, Chœur)" by Jules Massenet, Choeur du Capitole de Toulouse - Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq - Marie Ange Todorovitch - Isabelle Vernet, Christian Papis, Choeur Du Capitole De Toulouse, Isabelle Vernet, Marie-Ange Todorovitch, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse had its release date on 1993. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jules Massenet, Michel Plasson's "Massenet: Don Quichotte" album is number 1 out of 29. On top of that, France appears to be the country where this track was created. Massenet: Don Quichotte, Act 1: Introduction - "Alza ! Alza ! Alza !" (Pedro, Garcias, Rodriguez, Juan, Chœur) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Massenet: Don Quichotte, Act 1: Introduction - "Alza ! Alza ! Alza !" (Pedro, Garcias, Rodriguez, Juan, Chœur) by Jules Massenet, Choeur du Capitole de Toulouse - Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq - Marie Ange Todorovitch - Isabelle Vernet, Christian Papis, Choeur Du Capitole De Toulouse, Isabelle Vernet, Marie-Ange Todorovitch, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, WWV 75 / Act I: "Seht hin! Sie naht, die hart Beklagte!" | Richard Wagner, Kurt Moll, Cheryl Studer, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 137 BPM | ||
Les Pêcheurs de perles: Prelude | Georges Bizet, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 1 | 6B | 82 BPM | ||
Die lustigen Weiber von Windsor: Overture | Otto Nicolai, Bavarian Radio Symphony Orchestra, Rafael Kubelík | B Minor | 0 | 10A | 112 BPM | ||
La Belle Hélène - Opéra-bouffe en 3 actes. Livret d'Henri Meilhac & Ludovic Halévy - Acte I - Introduction - N°1a - Choeur : Vers tes autels | Jacques Offenbach, Michel Plasson, Choeur Capitole Toulouse, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 82 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Le Conseiller Lindorf, morbleu! (Lindorf/Andrès) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | F♯ Major | 0 | 2B | 97 BPM | ||
Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): I. C'est l'extase langoureuse | Claude Debussy, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | B♭ Major | 1 | 6B | 76 BPM | ||
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse | G Minor | 3 | 6A | 128 BPM | ||
Stabat Mater: 4. Pro peccatis suae gentis | Gioachino Rossini, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini | C Major | 3 | 8B | 80 BPM | ||
Le pardon de Ploërmel, Act II, Scene 3: Ombre légère (Dinorah) | Giacomo Meyerbeer, Jodie Devos, Brussels Philharmonic, Pierre Bleuse | D♭ Major | 1 | 3B | 92 BPM | ||
Humperdinck : Hänsel und Gretel : Act 1 "So recht! Und willst du nun nicht mehr klagen" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | G Minor | 1 | 6A | 127 BPM |