Dmitri Shostakovich, Amarcord Wien made "Walzer, No. 2" available on 2003. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 11 in Europe a symphonic vision by Christian Kolonovits by Bruckner Orchester Linz, Amarcord Wien, Bruckner Orchester Linz featuring Amarcord Wien, Andi Gabauer, Cosmic Voices of Bulgaria, Chemie Linz Chor, Bratislava Boys Choir. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. In terms of popularity, Walzer, No. 2 is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Walzer, No. 2 by Dmitri Shostakovich, Amarcord Wien is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen | G Minor | 1 | 6A | 75 BPM | ||
Rosen aus dem Süden, Op.388 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 181 BPM | ||
Russian Fantasy No. 2 | Leo Portnoff, Maria Lindsay, Josephine Allan | D Minor | 2 | 7A | 80 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Hungarian Dance No.1 in G Minor, WoO 1 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | G Minor | 2 | 6A | 115 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Moscow-Cheryomushki, Op. 105: 2. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Riccardo Chailly | E Minor | 0 | 9A | 179 BPM | ||
Valse de l’Eden Cinéma [Foutaises] | Carlos D'Alessio | C Minor | 2 | 5A | 99 BPM |