"Ich Habe Genug/Cant Ich Habe Genug Bwv82a" by Barbara Hendricks was released on March 3, 2003. Since Ich Habe Genug/Cant Ich Habe Genug Bwv82a is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 20 in Cantatas by Barbara Hendricks. Ich Habe Genug/Cant Ich Habe Genug Bwv82a is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ich Habe Genug/Cant Ich Habe Genug Bwv82a by Barbara Hendricks is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Agnus Dei qui tollis | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 68 BPM | ||
Gluck: Orphée et Eurydice, Wq. 41, Act 3 Scene 1: Récitatif, "Mais d'où vient qu'il persiste à garder le silence?" (Eurydice) | Christoph Willibald Gluck, Barbara Hendricks, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon | G Major | 0 | 9B | 97 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Matthias Goerne, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | D Major | 0 | 10B | 83 BPM | ||
Wolf: Mörike-Lieder, Volume 3: No. 36, Lebe wohl "Lebe wohl ... Du fühlest nicht" (Sehr langsam, innig und leidenschaftlich) | Hugo Wolf, Barbara Hendricks, Roland Pöntinen | E♭ Minor | 0 | 2A | 172 BPM | ||
8 Poems of Emily Dickinson: No.6 Sleep is supposed to be | Aaron Copland, Barbara Hendricks, Michael Tilson Thomas, London Symphony Orchestra | B♭ Major | 0 | 6B | 89 BPM | ||
La traviata / Act I: "E strano! ... Ah, fors'è lui" | Giuseppe Verdi, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 74 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Fauré: La bonne chanson, Op. 61: No. 9, L'hiver a cessé | Gabriel Fauré, Barbara Hendricks, Michel Dalberto | B♭ Major | 1 | 6B | 89 BPM | ||
Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 2 | 11B | 102 BPM | ||
Wolf: Mörike-Lieder, Volume 1: No. 12, Verborgenheit "Lass, o Welt, o lass" (Mässig und sehr innig) | Hugo Wolf, Barbara Hendricks | E♭ Major | 0 | 5B | 101 BPM |