"Cancionero Sefardi: No. 2. El mi querido bevio vino" by Roberto Sierra, Judith Kellock, Jeani Muhonen Foster, William Helmers, Lisa Fuller, Scott Tisdel, Stefanie Jacob, Mark Davis Scatterday was released on March 1, 2011. With Cancionero Sefardi: No. 2. El mi querido bevio vino being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 26 in Cancionero by Roberto Sierra, Mark Davis Scatterday. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Cancionero Sefardi: No. 2. El mi querido bevio vino is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Cancionero Sefardi: No. 2. El mi querido bevio vino by Roberto Sierra, Judith Kellock, Jeani Muhonen Foster, William Helmers, Lisa Fuller, Scott Tisdel, Stefanie Jacob, Mark Davis Scatterday is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aubade, FP 51a: VII. Récitatif. Introduction à la variation | Francis Poulenc, Julian Evans, New London Orchestra, Ronald Corp | B♭ Minor | 0 | 3A | 70 BPM | ||
Pavane, Op. 50 (Version for Orchestra) | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | F♯ Minor | 0 | 11A | 70 BPM | ||
Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | A Major | 0 | 11B | 74 BPM | ||
Préludes, Book 1, L. 117: No. 11, La danse de Puck (Excerpts Arr. J. Corbett & S. Seiler for Clarinet & Harp) | Claude Debussy, Duo Imaginaire | F Minor | 0 | 4A | 143 BPM | ||
Violin Concerto: IV. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | C Major | 1 | 8B | 171 BPM | ||
The Excursions of Mr. Brouček, JWI/7: "Introduction" | Leoš Janáček, Prague National Theatre Orchestra, Jaroslav Kyzlink | F♯ Major | 1 | 2B | 75 BPM | ||
Sonata para Guitarra: IV. Salseado | Roberto Sierra, Manuel Barrueco | D Major | 2 | 10B | 88 BPM | ||
A Songe Called Trumpetts | Robert Parsons, The Royal Wind Music, Paul Leenhouts | F♯ Major | 0 | 2B | 142 BPM | ||
Saxophone Concerto, Op. 26 (Version for Saxophone & Orchestra): I. Energetic | Paul Creston, Timothy McAllister, National Orchestral Institute Philharmonic, Joann Falletta | A Major | 5 | 11B | 118 BPM | ||
Scaramouche, Op. 165d: II. Modéré | Darius Milhaud, Sebastian Manz, Martin Klett | B♭ Major | 0 | 6B | 65 BPM |