Paul Creston, Timothy McAllister, National Orchestral Institute Philharmonic, Joann Falletta's 'Saxophone Concerto, Op. 26 (Version for Saxophone & Orchestra): I. Energetic' had a release date set for November 24, 2023. This song is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. The song is number 4 out of 18 in Copland, Creston & Others: Orchestral Works by Anna Mattix, Timothy McAllister, National Orchestral Institute Philharmonic, Joann Falletta. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Saxophone Concerto, Op. 26 (Version for Saxophone & Orchestra): I. Energetic is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Saxophone Concerto, Op. 26 (Version for Saxophone & Orchestra): I. Energetic by Paul Creston, Timothy McAllister, National Orchestral Institute Philharmonic, Joann Falletta is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saxophone Concerto, Op. 59 "Cyber-bird": I. Bird in Colors | Takashi Yoshimatsu, Sachio Fujioka, BBC Philharmonic, Nobuya Sugawa | F Major | 2 | 7B | 80 BPM | ||
5 Bagatelles for clarinet and piano, Op.23: 3. Carol - Andantino semplice | Gerald Finzi, Emma Johnson, Malcolm Martineau | B♭ Major | 0 | 6B | 173 BPM | ||
Aubade, FP 51a: VIII. Andante. Variation de Diane | Francis Poulenc, Ronald Corp, New London Orchestra, Julian Evans | E Major | 0 | 12B | 178 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Suite in an Old Style in A minor, op.10: 1. Presto | Christian Sinding, Ryu Goto, Philharmonia Orchestra, Christopher Warren-Green | D Minor | 1 | 7A | 87 BPM | ||
Copland: Suite from Appalachian Spring: VII. Variations on a Shaker Hymn. Doppio movimento (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | G Major | 0 | 9B | 74 BPM | ||
3 Fragmente: II. Ulysse en Itaque | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | G Minor | 0 | 6A | 80 BPM | ||
La sirenita: 2. En la superficie | Juan Pablo Fernández Ramos | F Major | 1 | 7B | 70 BPM |