On August 1, 2002, the song "Poems of 1917, Op. 41: VIII. The Battle. Allegro e molto appassionato" was released by Leo Ornstein, Marc-André Hamelin. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leo Ornstein, Marc-André Hamelin's "Leo Ornstein: Piano Music" album is number 11 out of 29. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Poems of 1917, Op. 41: VIII. The Battle. Allegro e molto appassionato is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Poems of 1917, Op. 41: VIII. The Battle. Allegro e molto appassionato by Leo Ornstein, Marc-André Hamelin to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance in E Minor, S. 169 "O pourquoi donc" | Franz Liszt, Sandrine Erdely-Sayo | G Major | 0 | 9B | 75 BPM | ||
Red | Sheavy | G Major | 0 | 9B | 156 BPM | ||
Napoli, FP 40: II. Nocturne | Francis Poulenc, Gen Tomuro | D♭ Major | 0 | 3B | 67 BPM | ||
Variations on a Theme of Chopin, Op. 22: Variations 19 - 20 | Sergei Rachmaninoff, Park Eun Shik | B Major | 0 | 1B | 88 BPM | ||
Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto | Charles Martin Loeffler, Graeme Steele Johnson, David Shifrin, Bridget Kibbey, Stella Chen, Siwoo Kim, Matthew Lipman, Samuel DeCaprio, Sam Suggs | F Minor | 2 | 4A | 140 BPM | ||
Tchaikovsky: Valse-scherzo, Op. 7 | Pyotr Ilyich Tchaikovsky, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM | ||
16 Waltzes, Op. 39: No. 12 in E Major | Johannes Brahms, Duo Degas | D Minor | 0 | 7A | 80 BPM | ||
Fugue in G Major | Markolyno | D Minor | 0 | 7A | 110 BPM | ||
Impresiones intimas: 2. Planys II | Federico Mompou, Alicia de Larrocha | A Minor | 0 | 8A | 141 BPM | ||
Troisième livre de pièces de clavecin: 15ème ordre, Muséte de taverni - Adapted by Marina Baranova | François Couperin, Marina Baranova | A Major | 0 | 11B | 98 BPM |