Carl Orff, Janice Watson, James Bowman, Donald Maxwell, Bournemouth Symphony Chorus, Waynflete Singers, Highcliffe Junior Choir, Bournemouth Symphony Orchestra, David Hill made "Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna" available on 1995. The duration of Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna's popularity is average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna by Carl Orff, Janice Watson, James Bowman, Donald Maxwell, Bournemouth Symphony Chorus, Waynflete Singers, Highcliffe Junior Choir, Bournemouth Symphony Orchestra, David Hill having a テンポ of 140 with a half-time of 70 テンポ and a double-time of 280 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach. Cello Suite #1 in G, BWV 1007 - I. Prelude | Iris Azquinezer | G Major | 1 | 9B | 140 BPM | ||
Mozart: Requiem in D Minor, K. 626: VII. Confutatis | Nikolaus Harnoncourt, Vienna State Opera Chorus | C Major | 0 | 8B | 116 BPM | ||
The Marriage of Figaro, "Le Nozze di Figaro", K.492: Overture | London Philharmonic Orchestra, Edward Downes | D Major | 2 | 10B | 148 BPM | ||
The Planets, Op.32: 2. Venus, The Bringer Of Peace | Gustav Holst, Vienna State Opera Orchestra, Sir Adrian Boult | B♭ Minor | 0 | 3A | 105 BPM | ||
Carmina Burana: Veris leta facies | Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop | F Major | 2 | 7B | 127 BPM | ||
En Aranjuez Con Tu Amor | Joaquín Rodrigo, Alfredo Garcia Segura, Fernando Lima | A Minor | 1 | 8A | 110 BPM | ||
Symphony No. 4, "Heroes": I. Heroes | Philip Glass, Bournemouth Symphony Orchestra, Marin Alsop | F Minor | 1 | 4A | 66 BPM | ||
Spem in alium | Thomas Tallis, The New Company, Harry Bicket | C Major | 1 | 8B | 76 BPM | ||
La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM | ||
Carmina Burana / II. In Taberna: "In taberna quando sumus" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 4 | 7B | 134 BPM |