Graciela Jiménez, Dora De Marinis's '3 Pieces for Piano: No. 2, Caminos del Espejo' came out on November 9, 2018. The duration of 3 Pieces for Piano: No. 2, Caminos del Espejo is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. 3 Pieces for Piano: No. 2, Caminos del Espejo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Graciela Jiménez, Dora De Marinis, Matías Villafañe's "Jiménez: Works for Piano & Cello" album is number 3 out of 14. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, 3 Pieces for Piano: No. 2, Caminos del Espejo is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 3 Pieces for Piano: No. 2, Caminos del Espejo by Graciela Jiménez, Dora De Marinis to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Such A Day | Carrie Baynes | D Minor | 1 | 7A | 93 BPM | ||
Schnittke: Cello Sonata No. 1, Op. 129: I. Largo | Alfred Schnittke, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
nothing more. | Amelia Rooney | E♭ Major | 1 | 5B | 173 BPM | ||
Weaving | Roger Eno | B Minor | 1 | 10A | 129 BPM | ||
Piano improviso No. 3 | Camargo Guarnieri, Max Barros | A Minor | 0 | 8A | 58 BPM | ||
Piano Sonata No. 4 in F-Sharp Major, Op. 30: I. Andante | Alexander Scriabin, Anatol Ugorski | D♭ Major | 0 | 3B | 70 BPM | ||
Tanto Espaço | Mário João Laginha, Slava Grigoryan, Sharon Grigoryan | D Major | 0 | 10B | 115 BPM | ||
Six Shades of Bach, Suite 1, Köthen: III. Courante (After J.S. Bach's BWV 1007) | Johann Sebastian Bach, Max Lilja | D Major | 3 | 10B | 120 BPM | ||
Six Shades of Bach, Suite 1, Köthen: V. Minuet I/II (After J.S. Bach's BWV 1007) | Johann Sebastian Bach, Max Lilja | D Major | 3 | 10B | 120 BPM | ||
Trois estampes: No. 2, La bouée orange | Carlo Francesco Defranceschi, Valentina Lombardo | F Minor | 0 | 4A | 88 BPM |