Robert de Visée, Yasunori Imamura made "Suite in E Minor: VII. La Montsermeil - Rondeau" available on January 1, 1993. With Suite in E Minor: VII. La Montsermeil - Rondeau being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Visee, R. De: Suites by Robert de Visée, Yasunori Imamura. The song's track number on the album is #28 out of 30 tracks. Based on our data, United States was the country where this track was produced or recorded. Suite in E Minor: VII. La Montsermeil - Rondeau is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Suite in E Minor: VII. La Montsermeil - Rondeau by Robert de Visée, Yasunori Imamura has a tempo of 49 beats per a minute, the tempo markings of this song would be Lento (slowly). With Suite in E Minor: VII. La Montsermeil - Rondeau being at 49 テンポ, the half-time would be 24 テンポ with a double-time of 98 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dowland on the Continent - Mauritius Pavin | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 98 BPM | ||
Contrappunto Primo B.M. | Vincenzo Galilei, Massimo Lonardi | F Major | 0 | 7B | 137 BPM | ||
Recercada No. 1: Recercada primera | Diego Ortiz, Rolf LaFleur, Bengt Ericson | D Minor | 2 | 7A | 104 BPM | ||
Preludio y Fantasia | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | G Minor | 0 | 6A | 130 BPM | ||
Prelude in C Major: X. 10 Prelude | Silvius Leopold Weiss, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | B Major | 1 | 1B | 134 BPM | ||
Recercar | Stephen Stubbs | F♯ Minor | 0 | 11A | 109 BPM | ||
Armoniosi toni di varie suonate musicali, Op. 7: Passacaglia | Giovanni Battista Granata, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 110 BPM | ||
Io ti vorria contar, LV 658 (Transcr. for Lutes by Evangelina Mascardi) | Orlande de Lassus, Evangelina Mascardi, Frédéric Zigante, Cornelia Demmer | B Major | 2 | 1B | 136 BPM | ||
Pièces pour théorbe, Suite in C Minor: IV. Sarabande | Robert de Visée, Xavier Diaz-Latorre | C Major | 0 | 8B | 102 BPM | ||
Suite for 2 Theorbos in E Minor: Prelude | Robert de Visée, Eric Bellocq, Massimo Moscardo | A Major | 0 | 11B | 111 BPM |