"Tjenerindens Fortaelling (the Handmaid's Tale), the Red Centre Prelude, Scene 1: The Classroom [Lydia, Handmaids, Offred, Janine]" by Poul Ruders, Marianne Rorholm, Hanne Fischer, Poul Elming, Ulla Kudsk-Jensen, Anne Margrethe Dahl, Djina Mai-Mai, Lise-Lotte Nielsen, Annita Wadsholt, Susanne Resmark, Kari Hamnoy, Aage Haugland, Gert Henning-Jensen, Elsebeth Lund, Pia Hansen, Bengt-Ola Morgny, Elisabeth Halling, John Laursen, Uffe Henriksen, Morten Kramp, Royal Danish Opera Chorus, Royal Danish Orchestra, Michael Schønwandt was released on January 12, 2001. With this song being about 5 minutes long, at 4:30, "Tjenerindens Fortaelling (the Handmaid's Tale), the Red Centre Prelude, Scene 1: The Classroom [Lydia, Handmaids, Offred, Janine]" by Poul Ruders, Marianne Rorholm, Hanne Fischer, Poul Elming, Ulla Kudsk-Jensen, Anne Margrethe Dahl, Djina Mai-Mai, Lise-Lotte Nielsen, Annita Wadsholt, Susanne Resmark, Kari Hamnoy, Aage Haugland, Gert Henning-Jensen, Elsebeth Lund, Pia Hansen, Bengt-Ola Morgny, Elisabeth Halling, John Laursen, Uffe Henriksen, Morten Kramp, Royal Danish Opera Chorus, Royal Danish Orchestra, Michael Schønwandt is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 43 in the song's album "Ruders: Handmaid's Tale (The)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Denmark. Tjenerindens Fortaelling (the Handmaid's Tale), the Red Centre Prelude, Scene 1: The Classroom [Lydia, Handmaids, Offred, Janine] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tjenerindens Fortaelling (the Handmaid's Tale), the Red Centre Prelude, Scene 1: The Classroom [Lydia, Handmaids, Offred, Janine] by Poul Ruders, Marianne Rorholm, Hanne Fischer, Poul Elming, Ulla Kudsk-Jensen, Anne Margrethe Dahl, Djina Mai-Mai, Lise-Lotte Nielsen, Annita Wadsholt, Susanne Resmark, Kari Hamnoy, Aage Haugland, Gert Henning-Jensen, Elsebeth Lund, Pia Hansen, Bengt-Ola Morgny, Elisabeth Halling, John Laursen, Uffe Henriksen, Morten Kramp, Royal Danish Opera Chorus, Royal Danish Orchestra, Michael Schønwandt having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2: Lento | George Lloyd, Martin Roscoe, BBC Philharmonic | D Major | 0 | 10B | 62 BPM | ||
Cinderella Suite, Op. 87: Act I: Introduction | Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony | F Major | 0 | 7B | 86 BPM | ||
Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | B♭ Minor | 0 | 3A | 86 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 1, Prélude - No. 2, Scène de l’hiver | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
In Windsor Forest: No. 3, Falstaff and the Fairies | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Rachel Ambrose Evans | G Major | 1 | 9B | 79 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | C Major | 2 | 8B | 80 BPM | ||
Chants de Terre et de Ciel: No. 3, Danse du bébé-pilule (pour mon petit Pascal) | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | A Major | 2 | 11B | 80 BPM | ||
Franck: Symphony in D Minor, FWV 48: III. Allegro non troppo | César Franck, Paavo Berglund, Bournemouth Symphony Orchestra | D♭ Major | 3 | 3B | 91 BPM | ||
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM |