Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor's 'Violin Sonata No. 2 in Dorian Mode, C. 139: VI. Finale' came out on January 19, 2024. With Violin Sonata No. 2 in Dorian Mode, C. 139: VI. Finale being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 56 in Biber: Violin Sonatas Nos. 1-8, C. 138-145 by Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Violin Sonata No. 2 in Dorian Mode, C. 139: VI. Finale is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata No. 2 in Dorian Mode, C. 139: VI. Finale by Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Encænia musices, Op. 1: Trumpet Duet No. 4 | Romanus Weichlein, Ars Antiqua Austria, Gunar Letzbor | C Major | 0 | 8B | 162 BPM | ||
Serenade, H. 23 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Sonata for 2 Violins in C Major, Op. 3 No. 3: II. Adagio | Jean-Marie Leclair, Emmanuele Baldini, Leonardo Bock | E♭ Major | 0 | 5B | 115 BPM | ||
Ave Maria for String Quartet | Leone Sinigaglia, Archos Quartet | A Major | 0 | 11B | 165 BPM | ||
Lute Concerto in F Major: VII. Menuette | Wenzel Ludwig vov Radolt, Hubert Hoffmann, Ars Antiqua Austria, Gunar Letzbor | E Major | 0 | 12B | 119 BPM | ||
Six Shades of Bach, Suite 2, Maria: III. Courante (After J.S. Bach's BWV 1008) | Johann Sebastian Bach, Max Lilja | D Major | 3 | 10B | 120 BPM | ||
The Other Dimension (Original Motion Picture Soundtrack) | Iron Valkyrie | A Minor | 1 | 8A | 112 BPM | ||
Sopra Demais o Vento | André Mehmari, Alejandro Aldana | D Major | 1 | 10B | 101 BPM | ||
Easter | Jasha Klebe | G Minor | 1 | 6A | 74 BPM | ||
El hijo | Federico Jusid | A Minor | 0 | 8A | 80 BPM |