"Pars III In A Minor: II. (unspecified ) (Biber)" by Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin was released on March 21, 2006. With Pars III In A Minor: II. (unspecified ) (Biber) being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Masques, Olivier Fortin's "Mensa Sonora - Biber And His Contemporaries" album is number 15 out of 29. In terms of popularity, Pars III In A Minor: II. (unspecified ) (Biber) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pars III In A Minor: II. (unspecified ) (Biber) by Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin to be Moderato (at a moderate speed) because the track has a tempo of 115 テンポ, a half-time of 58テンポ, and a double-time of 230 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata A Tre Viol Da Gamba (Excerpts): III. Ciaconi Adagio (Nicolai) | Johann Michael Nicolai, Masques, Olivier Fortin | A♭ Minor | 1 | 1A | 133 BPM | ||
Sonata I in B Minor, HWV 386, Op. 2 No. 1: III. Largo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | ||
Concerto 1 in D Minor, Op. 7: III. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 142 BPM | ||
Jesu, meine Freude, BuxWV 60: II. Jesu, meine Freude | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | E Minor | 1 | 9A | 77 BPM | ||
Violin Sonata in C Major, Wq. 73, H. 504: III. Allegretto | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | F♯ Major | 2 | 2B | 169 BPM | ||
Flute Concerto in G Major, QV 5:165: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | D Minor | 0 | 7A | 72 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Oboe d'amore Concerto in A major, BWV 1055: II. Larghetto | Johann Sebastian Bach, Christine Schornsheim, Burkhard Glaetzner, New Bach Collegium Musicum Leipzig | A Major | 2 | 11B | 148 BPM | ||
Trio Sonata in C Major, Op. 1, No. 3, RV 61: IV. Sarabanda (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | F♯ Minor | 1 | 11A | 79 BPM | ||
Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro | Francesco Antonio Bonporti, London Baroque | F♯ Minor | 2 | 11A | 108 BPM |