Giovanni Girolamo Kapsberger, Francesca Torelli's 'Toccata VII' came out on April 13, 2017. The duration of Toccata VII is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Toccata VII's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francesca Torelli's "Italian Baroque Music for Archlute" album is number 16 out of 25. On top of that, United States appears to be the country where this track was created. In terms of popularity, Toccata VII is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Toccata VII by Giovanni Girolamo Kapsberger, Francesca Torelli to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Au joly jeu | Clément Janequin, Harmonia Recorder Ensemble | C Major | 0 | 8B | 105 BPM | ||
Se la face ay pale | Guillaume Dufay, Ciaramella | E♭ Major | 1 | 5B | 120 BPM | ||
Suite in G Minor: I. Prélude | François Dufaut, Jonas Nordberg | F Major | 0 | 7B | 133 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM | ||
Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
Kapsberger | Giovanni Girolamo Kapsberger, Constantinople | D Major | 3 | 10B | 111 BPM | ||
A Sonata of Scots Tunes: II. Ettrick Banks (Adagio) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 95 BPM | ||
Saltarello, "La traditora" | Marco Dall'Aquila, Franklin Lei | A♭ Minor | 1 | 1A | 121 BPM | ||
Pour une bergere infidelle | Bertrand de Bacilly, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset, Lucile Richardot | F♯ Minor | 1 | 11A | 86 BPM | ||
Sonata No. 4 in G major, WeissSW 5: I. Prelude | Silvius Leopold Weiss, Evangelina Mascardi | C Minor | 1 | 5A | 86 BPM |