"Cello Sonata in G Minor, Op. 19: II. Allegro scherzando" by Aleksandar Zivkovic, Tamara Anna Cislowska was released on November 27, 2013. Cello Sonata in G Minor, Op. 19: II. Allegro scherzando is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The song is number 6 out of 13 in Cello Therapy by Aleksandar Zivkovic. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Cello Sonata in G Minor, Op. 19: II. Allegro scherzando is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Cello Sonata in G Minor, Op. 19: II. Allegro scherzando by Aleksandar Zivkovic, Tamara Anna Cislowska is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne In A Flat Major, Op 62 No 3 | A Nanut | A♭ Major | 0 | 4B | 69 BPM | ||
Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Ramon Bassal, Maria Canyigueral | E Major | 0 | 12B | 76 BPM | ||
Nocturne No. 20 in C-Sharp Minor, Op. posth (arr. N. Milstein) | Frédéric Chopin, Aaron Rosand, Hugh Sung | D♭ Minor | 0 | 12A | 174 BPM | ||
Grünfeld: Soirée de Vienne, Op. 56 (Paraphrase on Waltz Motives from Johann Strauss’ Die Fledermaus) | Alfred Grünfeld, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM | ||
12 Klavierstucke, Op. 85: No. 12, Abendlied (Arr. for Cello & Piano) | Robert Schumann, Duo Arnicans | D♭ Major | 0 | 3B | 94 BPM | ||
Fantasiestücke, Op. 73, Mvt. 3 | Robert Schumann, Liv Glaser, Ernst Simon Glaser | A Minor | 2 | 8A | 113 BPM | ||
12 Album Leaves, Op. 51: No. 4 in F Minor. Andante con moto | Reinhold Glière, Maja Bogdanovic, Maria Belooussova | B Minor | 2 | 10A | 98 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Pietro De Maria | E Major | 1 | 12B | 108 BPM | ||
Reminiscing | Versatíl El De Los Palos | F♯ Major | 0 | 2B | 66 BPM | ||
II. Intermezzo | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM |