"Messe in Es, Op. 109 "Cantus Missae": Kyrie" by Josef Rheinberger, Neuer Kammerchor Berlin, Adrian Emans was released on March 1, 2024. With this song being about 5 minutes long, at 4:32, "Messe in Es, Op. 109 "Cantus Missae": Kyrie" by Josef Rheinberger, Neuer Kammerchor Berlin, Adrian Emans is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Josef Gabriel Rheinberger: Messe in Es, Op. 109 "Cantus Missae": Kyrie and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Messe in Es, Op. 109 "Cantus Missae": Kyrie's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messe in Es, Op. 109 "Cantus Missae": Kyrie by Josef Rheinberger, Neuer Kammerchor Berlin, Adrian Emans to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Mass No. 2 in E Minor, WAB 27: Kyrie | Anton Bruckner, SWR Vokalensemble Stuttgart, WDR Sinfonieorchester Köln, Marcus Creed | F♯ Major | 1 | 2B | 133 BPM | ||
Only in Sleep | The Wartburg Choir, Dr. Lee Nelson | G Major | 1 | 9B | 75 BPM | ||
Thou wilt keep him in perfect peace | Samuel Sebastian Wesley, James McVinnie, Choir of Clare College, Cambridge, Christopher Robinson | F Major | 0 | 7B | 66 BPM | ||
Cantate Domino canticum novum | Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 128 BPM | ||
Õhtul | Kammerkoor Head Ööd Vend | E♭ Major | 0 | 5B | 141 BPM | ||
O Nata Lux | Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | C Major | 0 | 8B | 139 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
O Jesu Christe | Jakob van Berchem, Chœur "Cantabile" de la Cathédrale de Reims, Orchestre de Chambre Arsène Muzerelle, Arsène Muzerelle | G Major | 1 | 9B | 80 BPM | ||
Tallis: Spem in Alium - 3. Respice | The Tallis Scholars, Peter Phillips | B Minor | 1 | 10A | 140 BPM |