"Ave Maria, CG89a (from Bach Prelude in C, BWV 846)" by Charles Gounod, Ben Hulett, Helen Tunstall, Choir of New College, Oxford, Edward Higginbottom was released on January 1, 2000. The duration of Ave Maria, CG89a (from Bach Prelude in C, BWV 846) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Ave Maria, CG89a (from Bach Prelude in C, BWV 846)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 20 in Bluebird - Music Of Contemplation by Choir of New College, Oxford, Edward Higginbottom. Based on our statistics, Ave Maria, CG89a (from Bach Prelude in C, BWV 846)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ave Maria, CG89a (from Bach Prelude in C, BWV 846) by Charles Gounod, Ben Hulett, Helen Tunstall, Choir of New College, Oxford, Edward Higginbottom is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in G Minor: VI. Agnus Dei | Ralph Vaughan Williams, Choir of New College, Oxford, Edward Higginbottom | C Major | 1 | 8B | 79 BPM | ||
O Sing unto the Lord | Henry Purcell, Edward Higginbottom, Choir of New College, Oxford, The Band of Instruments | D Major | 0 | 10B | 96 BPM | ||
Je veux vivre (Roméo et Juliette) | Charles Gounod, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | C Major | 1 | 8B | 116 BPM | ||
Liturgy of St.John Chrysostom, No.2, Op.29: Creed | Alexander Gretchaninov, Ben Hulett, Choir of New College, Oxford, Edward Higginbottom | E Major | 1 | 12B | 81 BPM | ||
Repentir (O Divine Redeemer) | Charles Gounod, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | C Major | 1 | 8B | 176 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Verdi: Messa da Requiem: I. Introit - Kyrie | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM |