"Idaspe, Act II Scene 11: Aria "Ombra fedele anch' io" (Dario)" by Riccardo Broschi, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset had its release date on November 25, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 12 in Farinelli by Ann Hallenberg, Christophe Rousset, Les Talens Lyriques. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Idaspe, Act II Scene 11: Aria "Ombra fedele anch' io" (Dario) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Idaspe, Act II Scene 11: Aria "Ombra fedele anch' io" (Dario) by Riccardo Broschi, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset is Andante (at a walking pace), since this song has a tempo of 97 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 9. Sancta Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | D Major | 1 | 10B | 80 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": IV. Excelsus super omnes (Larghetto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | B♭ Minor | 0 | 3A | 82 BPM | ||
Siface: Come Nave in mezzo all'onde | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 4 | 12B | 140 BPM | ||
Les fêtes de Polymnie: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | D♭ Major | 0 | 3B | 67 BPM | ||
Deuxième Livre de pièces de clavecin, sixième Ordre: Les Barricades mystérieuses | François Couperin, Christophe Rousset | A♭ Major | 2 | 4B | 80 BPM | ||
Fago: Confitebor tibi Domine: I. "Confitebor tibi Domine" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 90 BPM | ||
Castor et Pollux: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 106 BPM | ||
Chacony in G minor Z730 | Henry Purcell, Accademia Bizantina, Stefano Montanari | F♯ Major | 2 | 2B | 37 BPM | ||
Stabat Mater: 11. Inflammatus | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | A Major | 1 | 11B | 109 BPM | ||
Merope: Sposa, non mi conosci | Geminiano Giacomelli, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Minor | 0 | 9A | 114 BPM |