Bavarian State Orchestra, Wolfgang Sawallisch's 'Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Der Hölle Rache kocht in meinem Herzen (Königin)' came out on 2004. The duration of Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Der Hölle Rache kocht in meinem Herzen (Königin) is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Der Hölle Rache kocht in meinem Herzen (Königin)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Opera Classics, so we believe that "Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Der Hölle Rache kocht in meinem Herzen (Königin)" is a single. Based on our statistics, Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Der Hölle Rache kocht in meinem Herzen (Königin)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Der Hölle Rache kocht in meinem Herzen (Königin) by Bavarian State Orchestra, Wolfgang Sawallisch is Allegro (fast, quick, and bright), since this song has a tempo of 143 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto in E-Flat Major: I. Allegro | Johann Baptist Georg Neruda, Gabor Tarkovi, Bamberg Symphony, Bavarian State Orchestra, Karl-Heinz Steffens | E♭ Major | 1 | 5B | 100 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | ||
Die Meistersinger von Nürnberg, Act 3: Prelude (Orchester) | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | C Major | 4 | 8B | 49 BPM | ||
Persischer Marsch, Op.289 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 207 BPM | ||
Turandot: Act I: Non piangere, Liù! | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | ||
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Die Fledermaus / Act 2: Nr.6 Introduktion: "Ein Souper heut uns winkt" | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber, Chor der Bayerischen Staatsoper München, Wolfgang Baumgart | E Major | 4 | 12B | 112 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM |