Jean-Féry Rebel, Musica Antiqua Köln, Reinhard Goebel made "Les Élémens, Simphonie Nouvelle: Tambourins I & II" available on January 1, 1995. With Les Élémens, Simphonie Nouvelle: Tambourins I & II being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Rebel: Les Élémens / Telemann: Sonata e-Moll / Gluck: Alessandro". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Les Élémens, Simphonie Nouvelle: Tambourins I & II is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Les Élémens, Simphonie Nouvelle: Tambourins I & II by Jean-Féry Rebel, Musica Antiqua Köln, Reinhard Goebel having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Major, Op. 6 No. 6: II. Con furia | Charles Avison, Café Zimmermann | D♭ Major | 4 | 3B | 141 BPM | ||
Trio Sonata in A Major, A02: II. Allegro | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Major | 1 | 4B | 79 BPM | ||
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: II. Corrente | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
12 Concerti et sinphonie, Op. 1: Symphony No. 5 in F Major: II. Adagio | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | E Major | 1 | 12B | 96 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Concerto for 2 Flutes, Violin & Cello in D Major, TWV 54:D1: II. Siciliana | Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Allison Nyquist, Stephanie Vial, Indianapolis Baroque Orchestra | D♭ Minor | 0 | 12A | 91 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM |