Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau made "3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: II. Corrente" available on January 26, 2024. The duration of 3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: II. Corrente is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. 3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: II. Corrente's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 29 in Corelli & Quentin: Flute Sonatas by Anna Besson, Myriam Rignol, Jean Rondeau. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, 3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: II. Corrente is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of 3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: II. Corrente by Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Caro dolce ben mio - diminutions by Giovanni Bassano | Andrea Gabrieli, Gawain Glenton, Silas Wollston | B♭ Minor | 1 | 3A | 64 BPM | ||
Sonata sesta in G Major: II. Con Spirito ma non presto | Mrs Philarmonica, Le Consort | F♯ Major | 3 | 2B | 70 BPM | ||
Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Première Leçon du troisième jour: De Lamentatione Jeremiæ - Heth. Misericordiæ Domini | Michel Lambert, Marc Mauillon, Myriam Rignol, Thibaut Roussel | E Major | 1 | 12B | 172 BPM | ||
Chamber Sonata No. 2 in C Minor: IV. Vivace - Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | A Major | 2 | 11B | 95 BPM | ||
Teague, the Irish Trooper | Anonymous, Anna Besson, Reinoud Van Mechelen, A Nocte Temporis | B Major | 4 | 1B | 108 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
D'Anglebert: Suite No. 3 en ré mineur: VI. Sarabande Grave. Lentement | Jean-Henri d'Anglebert, Jean Rondeau | A♭ Minor | 1 | 1A | 76 BPM | ||
Viola d'amore Concerto in D Major, RV 392: III. Allegro | Antonio Vivaldi, Catherine Mackintosh, Orchestra of the Age of Enlightenment | D♭ Major | 3 | 3B | 133 BPM | ||
Le Pouvoir de l'Amour, Prologue Scène 4: Air pour les jeux et les plaisirs | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | C Minor | 2 | 5A | 96 BPM |