"How Can the Tree but Wither? (Version for Cello & Piano)" by Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham had its release date on May 10, 2024. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 20 out of 21 in Folk Tales, Vol. 2: British & Irish Miniatures by Gerald Peregrine, Antony Ingham, Lynda O'Connor. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, How Can the Tree but Wither? (Version for Cello & Piano)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of How Can the Tree but Wither? (Version for Cello & Piano) by Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespers, Op. 37: V. "Nyne otpushchayeshi" | Sergei Rachmaninoff, Vladimir Mostovoy, St.Petersburg Chamber Choir, Nikolai Korniev | F♯ Major | 0 | 2B | 135 BPM | ||
Variations on a Norwegian Folktune, Op. 31: I fjol gjaett'e gjeitinn | Johan Svendsen, Latvian National Symphony Orchestra, Terje Mikkelsen | E Major | 1 | 12B | 87 BPM | ||
By the Still Waters, Op. 114 | Amy Beach, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 76 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Variation 1: L'istesso tempo | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Major | 0 | 11B | 52 BPM | ||
3 Concert Études, S. 144: No. 3 in D-Flat Major, "un sospiro" | Franz Liszt, William Wolfram | D♭ Major | 1 | 3B | 69 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 1, Adagio "Lovely on the Water" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 69 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM |