Franz von Suppé, Tonkünstler-Orchester, Ola Rudner's 'Historisch-Additionelle Ausstellung des Carl-Theaters: Prelude' came out on January 12, 2024. Since Historisch-Additionelle Ausstellung des Carl-Theaters: Prelude is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Suppé: Fantasia symphonica, Orchestral Overtures & Preludes". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Historisch-Additionelle Ausstellung des Carl-Theaters: Prelude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Historisch-Additionelle Ausstellung des Carl-Theaters: Prelude by Franz von Suppé, Tonkünstler-Orchester, Ola Rudner having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die schone Galatea (The Beautiful Galatea) | Franz von Suppé, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 119 BPM | ||
Carmen, Opera Suite No. 1: II. Les Dragons d'Alcala, Act 2 | London Festival Orchestra Alfred Scholz | G Major | 0 | 9B | 120 BPM | ||
Love Songs Waltz, Op. 11: Liebeslieder | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 191 BPM | ||
Les Sirenes: Entry of Fashionable Folk: Tempo di Valse | Lord Berners, Miriam Blennerhasset, RTE Sinfonietta, David Lloyd-Jones | F Major | 1 | 7B | 186 BPM | ||
Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
Eugene Onegin: Polonaise | Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma | G Major | 2 | 9B | 98 BPM | ||
Des Matrosen Heimkehr: Tanz der Schiffsjungen | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | D Major | 2 | 10B | 168 BPM | ||
Requiem for soloists, chorus & orchestra (1855), Offertorio: Domine, Jesu Christe | Franz von Suppé, Michel Corboz, Orchestra of the Gulbenkian Foundation, Lisbon | G Major | 1 | 9B | 104 BPM | ||
Dans les bois, Polka-mazurka, Op. 119 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 115 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM |