"Nabucco: Pt. II: The Blasphemy: Finale. But what means This disturbance? (Fenena, Ismael, Zachariah, Levites, Abdullah, High Priest, Abigail, Nabucco) [Sung in English]" by Giuseppe Verdi, Alan Opie, Orchestra of Opera North, David Parry, Leonardo Capalbo, Alastair Miles, Susan Patterson, Jane Irwin, Dean Robinson, Paul Wade, Camilla Roberts, Opera North Chorus was released on January 1, 2006. With Nabucco: Pt. II: The Blasphemy: Finale. But what means This disturbance? (Fenena, Ismael, Zachariah, Levites, Abdullah, High Priest, Abigail, Nabucco) [Sung in English] being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Nabucco (Sung in English) by Giuseppe Verdi, Alan Opie. The song's track number on the album is #25 out of 46 tracks. Nabucco: Pt. II: The Blasphemy: Finale. But what means This disturbance? (Fenena, Ismael, Zachariah, Levites, Abdullah, High Priest, Abigail, Nabucco) [Sung in English] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nabucco: Pt. II: The Blasphemy: Finale. But what means This disturbance? (Fenena, Ismael, Zachariah, Levites, Abdullah, High Priest, Abigail, Nabucco) [Sung in English] by Giuseppe Verdi, Alan Opie, Orchestra of Opera North, David Parry, Leonardo Capalbo, Alastair Miles, Susan Patterson, Jane Irwin, Dean Robinson, Paul Wade, Camilla Roberts, Opera North Chorus has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Nabucco: Pt. II: The Blasphemy: Finale. But what means This disturbance? (Fenena, Ismael, Zachariah, Levites, Abdullah, High Priest, Abigail, Nabucco) [Sung in English] being at 86 テンポ, the half-time would be 43 テンポ with a double-time of 172 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giuseppe Verdi: Rigoletto - Scorrendo uniti remota via (Chor der Höflinge) | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | A Major | 3 | 11B | 123 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
La traviata: Libiamo ne'lieti calici | Giuseppe Verdi, Anna Netrebko, Yusif Eyvazov, The City of Prague Philharmonic Choir, Miriam Nemcova, Royal Philharmonic Orchestra, Jader Bignamini | B♭ Major | 2 | 6B | 212 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
La traviata / Act 1: "Follie! Delirio vano è questo!" - "Sempre libera" | Giuseppe Verdi, Kiri Te Kanawa, Alfredo Kraus, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | D♭ Major | 1 | 3B | 91 BPM | ||
La traviata / Act 2: "Noi siamo zingarelle" | Giuseppe Verdi, Wendy White, Jeffrey Wells, Julien Robbins, Metropolitan Opera Chorus, John Keenan, Metropolitan Opera Orchestra, James Levine | C Minor | 2 | 5A | 82 BPM | ||
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM |